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Aantal resultaten: 9( DE:"queer archieven" )

Artikel

Visual Histories of Sex: Collecting, Curating, Archiving  / Heike Bauer, Melina Pappademos, Katie Sutton, Jennifer Tucker.

Radical History Review (2022) 142 (jan), p. 1-18
bron: Radical History Review (2022) 142 (jan), p. 1-18
samenvatting: Increased access to visual archives and the proliferation of digitized images related to sexuality have led a growing number of scholars in recent years to place images and visual practices at the center of critical historical inquiries of sexual desire, subjectivity, and embodiment. At the same time, new critical histories of sexual science serve both to expand the temporal and geographical frames for investigating the historical relationships of sex and visual production, and to generate new lines of inquiry and reshape visual studies more broadly. The contributors to this issue invite us to ask: What new questions and challenges for the study of sex and sexual science are posed by critical studies of the visual? How are new visual methodologies that focus on archives changing the contours of historical knowledge about sex and sexuality? What - and where - are new methodologies still needed? "Visual Archives of Sex" aims to illuminate current research that centers visual media in the history of sexuality and that interrogates contemporary historiographies.
onderwerpen:
signatuur: ts.
Visual Histories of Sex: Collecting, Curating, Archiving
ts.
Heike Bauer, Melina Pappademos, Katie Sutton, Jennifer Tucker.
Radical History Review
(2022)
142
(jan)
1-18
N310097
Artikel

Curating Visual Archives of Sex: A Roundtable Discussion  / Ashkan Sepahvand ...[et al.].

Radical History Review (2022) 142 (jan), p. 19-36
bron: Radical History Review (2022) 142 (jan), p. 19-36
samenvatting: In this roundtable, four curators of exhibitions showcasing sexual archives and histories - with a particular focus on queer and trans experiences - were asked to reflect on their experiences working as scholars and artists across a range of museum and gallery formats. The exhibitions referred to below were Bring Your Own Body: Transgender between Archives and Aesthetics, curated by Jeanne Vaccaro (discussant) with Stamatina Gregory at The Cooper Union, New York, in 2015 and Haverford College, Pennsylvania, in 2016; Odarodle: An imaginary their_story of naturepeoples, 1535-2017, curated by Ashkan Sepahvand (discussant) at the Schwules Museum (Gay Museum) in Berlin, Germany, in 2017; Queer, curated by Ted Gott, Angela Hesson, Myles Russell-Cook, Meg Slater (discussant), and Pip Wallis at the National Gallery of Victoria, Melbourne, Australia, in 2022; and TransTrans: Transatlantic Transgender Histories, curated by Alex Bakker, Rainer Herrn, Michael Thomas Taylor, and Annette F. Timm (discussant) at the Schwules Museum in Berlin, Germany, in 2019-20, adapting an earlier exhibition shown at the University of Calgary, Canada, in 2016.
onderwerpen:
signatuur: ts.
Curating Visual Archives of Sex: A Roundtable Discussion
ts.
Ashkan Sepahvand ...[et al.].
Radical History Review
(2022)
142
(jan)
19-36
N310098
Artikel

Homemade Pornography and the Proliferation of Queer Pleasure in East Germany  / Kyle Frackman.

Radical History Review (2022) 142 (jan), p. 93-109
bron: Radical History Review (2022) 142 (jan), p. 93-109
samenvatting: Like other Eastern Bloc countries, East Germany sought to control even its citizens' leisure time in the 1960s and 1970s, with the goal of making it useful or at least not subversive to state interests. Certain hobbies, like amateur photography, found support from the state in the form of increased access to equipment and supplies. Other scholarship has shown that sex was a locus of privacy and self-assertion in a society with a high degree of surveillance and state control. Focusing on a previously unanalyzed collection of erotic photographs of men, the article argues, first, that the support for amateur photography makes the state an unwitting participant in the creation and circulation of these illicit images and, second, that the images are an archive of queer men's self-presentation and critique in a context wherein their existence and affect are transgressive.
onderwerpen:
signatuur: ts.
Homemade Pornography and the Proliferation of Queer Pleasure in East Germany
ts.
Kyle Frackman.
Radical History Review
(2022)
142
(jan)
93-109
N310100
Artikel

An Interview with Topher Campbell: rukus! Archive  / Conor McGrady.

Radical History Review (2022) 142 (jan), p. 111-118
bron: Radical History Review (2022) 142 (jan), p. 111-118
samenvatting: This Curated Spaces features an interview with Topher Campbell of rukus! archive. The rukus! archive was founded in 2005 by photographer Ajamu X and filmmaker and theatre director Topher Campbell. The archive is dedicated to collecting, preserving, and making available artistic, social, and cultural histories related to Black LGBTQ+ communities in the United Kingdom. Its intellectual origins reside in the work of Stuart Hall and British cultural studies, and the critical dialogue it establishes with both mainstream heritage practices and dominant Black and queer identity discourses
onderwerpen:
signatuur: ts.
An Interview with Topher Campbell: rukus! Archive
ts.
Conor McGrady.
Radical History Review
(2022)
142
(jan)
111-118
N310101
Boek

The Oxford Handbook of Queer Cinema  / 

Ronald Gregg, Amy Villarejo (eds.).New York, NY: Oxford University Press, 2021 - xv, 844 p.: ill.
uitgave: New York, NY: Oxford University Press, 2021 - xv, 844 p.: ill.
annotatie: Bibliogr.: p. 811-818.
onderwerpen:
samenvatting: The term "queer cinema" is often used to name at least three cultural events: 1) an emergent visual culture that boldly identifies as queer; 2) a body of narrative, documentary, and experimental work previously collated under the rubric of homosexual or lesbian, gay, bisexual, and trans (LGBT) cinema; 3) a means of critically reading and evaluating films and other visual media through the lens of sexuality. By this expansive account, queer cinema encompasses more than a century of filmmaking, film criticism, and film reception, and the past twenty-five years have seen the idea of "queer cinema" expand further as a descriptor for a global arts practice. As the first of its kind, The Oxford Handbook of Queer Cinema treats these three currents as art and critical practice, bringing the canon of queer cinema together with a new generation of makers and scholars. The Handbook's contributors include scholars who research the worldwide canon of queer cinema, those who are uniquely positioned to address three decades of its particular importance, and those best positioned to ponder the forms it is taking or may take in our new century, namely digital media that moves in new circuits. In eight sections, they explore the many forms that queer cinema takes across time, discussing narrative, experimental, documentary, and genre filmmaking, including pornography. Likewise, although the study of cinema and media is not restricted to a single method, chapters showcase the unique combination of textual analysis, industrial and production history, interpretation, ethnography, and archival research that this field enables. For example, chapters analyze the ways in which queer cinema both is and is not self-evidently an object for study by examining films that reinforce negative understandings of queerness alongside those that liberate the subject; and by naming the films that are newly queered, while noting that many queerly-made texts await discovery. Finally, chapters necessarily assert that queer cinema is not an Anglophone phenomenon, nor is it restricted to the medium of film.
signatuur: cat. (gregg/oxf) b

ODE3 NASLAG
toegang:
The Oxford Handbook of Queer Cinema
cat. (gregg/oxf) b ODE3 NASLAG
https://ihlia.nl/search/covers/thumb/N311021_1.jpg
Ronald Gregg, Amy Villarejo (eds.).
N311021
Grijs

Love and Compassion amid many adversities : On Black, Queer Archival Practices  / Wigbertson Julian Isenia.

uitgave:
onderwerpen:
thema:
  1. archieven/bibliotheken/musea
  2. transgender
samenvatting: I often recall a James Baldwin quote from 1961. Wondering how Black artists in the United States reconcile their social obligations with their artistic responsibilities, Nat Hentoff asked him "To what extent do you find this true in your own writing?" (Baldwin et al. 205). Baldwin replied with the nowfamiliar words, "[T]o be a Negro in this country and to be relatively conscious is to be in a state of rage almost all the time" (Baldwin et al. 205). Baldwin speaks about the indifference of most white people of that day, of the realisation that one may not be a match for the institutional violence one encounters and of the anger at one's own inability to deal with white indifference. Perhaps he speaks too of sheer hopelessness.We must read Baldwin's words, which are not as wellknown and are less often quoted. He also says that there is: A great temptation to simplify the issues, under the illusion that if you simplify them enough, people will recognize them. I think this illusion is very dangerous because, in fact, it isn't the way it works. A complex thing can't be made simple. You simply have to try to deal with it in all its complexity and hope to get that complexity across. (Baldwin et al. 205) He suggests that we embrace the full and some times contradictory nature of our emotions. Perhaps our reactions to the hardships we face can express themselves in more than anger, defiance, shame and guilt. I am interested in the relationship between and among these emotions and Black, queer archival practises: our struggles, desires and, as I discuss in this contribution, love and compassion amid - and indeed, despite - countless adversities. Examining this relationship can reveal how we could funnel that rage in order to, in the words of Cornel West, "remain in that boat with the tension, with the hostility, because there was also love, care, loyalty and solidarity" (in hooks and West 129). This love, bell hooks reminds us, goes beyond the romantic interpretation of the term by understanding it as a mutual fulfilment of needs and "the giving and receiving [of] critical feedback" (hooks and West 129). I refer to the translation process necessary to transform one's experiences for a wider audience as a practice of love and compassion, and how this process, as proposed by Baldwin, can equip our practice with valuable tools.
signatuur: cat. (iseni/lov)

dgb
toegang:
Love and Compassion amid many adversities : On Black, Queer Archival Practices
cat. (iseni/lov)dgb
N311357
Boek

Turning Archival : The Life of the Historical in Queer Studies  / 

ed. by Daniel Marshall and Zeb Tortorici.Durham, NC: Duke University Press, 2022 - 383 p.: ill.
uitgave: Durham, NC: Duke University Press, 2022 - 383 p.: ill.
onderwerpen:
samenvatting: The contributors to Turning Archival trace the rise of "the archive" as an object of historical desire and study within queer studies and examine how it fosters historical imagination and knowledge. Highlighting the growing significance of the archival to LGBTQ scholarship, politics, and everyday life, they draw upon accounts of queer archival encounters in institutional, grassroots, and everyday repositories of historical memory. The contributors examine such topics as the everyday life of marginalized queer immigrants in New York City as an archive; secondhand vinyl record collecting and punk bootlegs; the self-archiving practices of grassroots lesbians; and the decolonial potential of absences and gaps in the colonial archives through the life of a suspected hermaphrodite in colonial Guatemala. Engaging with archives from Africa to the Americas to the Arctic, this volume illuminates the allure of the archive, reflects on that which resists archival capture, and outlines the stakes of queer and trans lives in the archival turn.
signatuur: cat. (turni/arc) b

ODE3
toegang:
Turning Archival : The Life of the Historical in Queer Studies
cat. (turni/arc) b ODE3
https://ihlia.nl/search/covers/thumb/N312439_1.jpg
ed. by Daniel Marshall and Zeb Tortorici.
N312439
Artikel

Visual Archives of Sex  / Special Issue Editor(s): Heike Bauer, Melina Pappademos, Katie Sutton, and Jennifer Tucker.

Radical History Review, 22 (2022) 1, p. 1-140
bron: Radical History Review jaargang: 22 (2022) 1 , p. 1-140
samenvatting: Contributors to this special issue study the visual histories of sex by examining symbols, images, film, and other visual forms ranging from medieval religious icons to twenty-first-century selfies. They argue that engaging BIPOC, antiracist, queer, and feminist perspectives of the past is vital to understanding the complex historical relationships between sex and visual culture and how these relationships continue to shape sexual lives, bodies, myths, and desires. This issue includes a visual archive of British escort and nightclub hostess Ruth Ellis, a roundtable on curating exhibitions devoted to sex and to queer and trans experience, and a dip into the photographic archives of Carol Leigh, a.k.a. Scarlot Harlot.
onderwerpen:
signatuur: ts.
Visual Archives of Sex
ts.
Special Issue Editor(s): Heike Bauer, Melina Pappademos, Katie Sutton, and Jennifer Tucker.
Radical History Review
22
(2022)
1
1-140
N313843
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